Kid Cudi, Download Free Music Mp3 Kid Cudi, Review of Kid Cudi

May 1st, 2009 by admin 1 comment »

Kid Cudi is a Brooklyn-based rapper from Cleveland whose debut single, “Day ‘n’ Nite,” became an online favorite in 2008. Born Scott Ramon Seguro Mescudi in suburban Cleveland, his career took off after he moved to Brooklyn and became affiliated with Fool’s Gold, the label of DJs A-Trak and Nick Catchdubs. The label released the Day ‘n’ Nite EP in February 2008 and circulated a Crookers remix around the blogosphere, drumming up a good deal of buzz in the process. It didn’t hurt that Kid Cudi began to receive increasing press attention, including a nod from Rolling Stone (which touted him among the magazine’s Top Five best indie hip-hop artists of 2008). Not long after the release of “Day ‘n’ Nite,” Kid Cudi began touring with the Fool’s Gold collective, which performed at a South by Southwest showcase and subsequently joined forces with Steve Aoki and his Dim Mak collective for a North American tour. As the remixed version of “Day ‘n’ Nite” climbed the U.K. singles charts, Kid Cudi readied the release of his full-length album debut for summer 2009.

Lady GaGa, Download Free Music Mp3 Lady GaGa, Review of Lady GaGa

May 1st, 2009 by admin 6 comments »

When Lady GaGa was a little girl, she would sing along on her mini plastic tape recorder to Michael Jackson and Cyndi Lauper hits and get twirled in the air in daddy’s arms to the sounds of the Rolling Stones and the Beatles. The precocious child would dance around the table at fancy Upper West Side restaurants using the breadsticks as a baton. And, she would innocently greet a new babysitter in nothing but her birthday suit.

It’s no wonder that little girl from a good Italian New York family, turned into the exhibitionist, multi-talented singer-songwriter with a flair for theatrics that she is today: Lady GaGa.

“I was always an entertainer. I was a ham as a little girl and I’m a ham today,” says Lady GaGa, 22, who made a name for herself on the Lower East Side club scene with the infectious dance-pop party song “Beautiful Dirty Rich,” and wild, theatrical, and often tongue-in-cheek “shock art” performances where GaGa – who designs and makes many of her stage outfits — would strip down to her hand-crafted hot pants and bikini top, light cans of hairspray on fire, and strike a pose as a disco ball lowered from the ceiling to the orchestral sounds of A Clockwork Orange.

“I always loved rock and pop and theater. When I discovered Queen and David Bowie is when it really came together for me and I realized I could do all three,” says GaGa, who nicked her name from Queen’s song “Radio Gaga” and who cites rock star girlfriends, Peggy Bundy, and Donatella Versace as her fashion icons. “I look at those artists as icons in art. It’s not just about the music. It’s about the performance, the attitude, the look; it’s everything. And, that is where I live as an artist and that is what I want to accomplish.”

That goal might seem lofty, but consider the artist: GaGa is the girl who at age 4 learned piano by ear. By age 13, she had written her first piano ballad. At 14, she played open mike nights at clubs such as New York’s the Bitter End by night and was teased for her quirky, eccentric style by her Convent of the Sacred Heart School (the Manhattan private school Nicky and Paris Hilton attended) classmates by day. At age 17, she became was one of 20 kids in the world to get early admission to Tisch School of the Arts at NYU. Signed by her 20th birthday and writing songs for other artists (such as the Pussycat Dolls, and has been asked to write for a series of Interscope artists) before her debut album was even released, Lady GaGa has earned the right to reach for the sky.

“My goal as an artist is to funnel a pop record to a world in a very interesting way,” says GaGa, who wrote all of her lyrics, all of her melodies, and played most of the synth work on her album, The Fame (Streamline/Interscope/KonLive). “I almost want to trick people into hanging with something that is really cool with a pop song. It’s almost like the spoonful of sugar and I’m the medicine.”

On The Fame, it’s as if GaGa took two parts dance-pop, one part electro-pop, and one part rock with a splash of disco and burlesque and generously poured it into the figurative martini glasses of the world in an effort to get everyone drunk with her Fame. “The Fame is about how anyone can feel famous,” she explains. “Pop culture is art. It doesn’t make you cool to hate pop culture, so I embraced it and you hear it all over The Fame. But, it’s a sharable fame. I want to invite you all to the party. I want people to feel a part of this lifestyle.”

The CD’s opener and first single, “Just Dance,” gets the dance floor rocking with it’s “fun, L.A., celebratory vibe.” As for the equally catchy, “Boys Boys Boys,” Gaga doesn’t mind wearing her influences on her sleeve. “I wanted to write the female version of Motley Crue’s ‘Girls Girls Girls,’ but with my own twist. I wanted to write a pop song that rockers would like.”

“Beautiful Dirty Rich” sums up her time of self-discovery, living in the Lower East Side and dabbling in drugs and the party scene. “That time, and that song, was just me trying to figure things out,” says GaGa. “Once I grabbed the reigns of my artistry, I fell in love with that more than I did with the party life.” On first listen, “Paparazzi” might come off as a love song to cameras, and in all honestly, GaGa jokes “on one level it IS about wooing the paparazzi and wanting fame. But, it’s not to be taken completely seriously. It’s about everyone’s obsession with that idea. But, it’s also about wanting a guy to love you and the struggle of whether you can have success or love or both.”

GaGa shows her passion for love songs on such softer tracks as the Queen-influenced “Brown Eyes” and the sweet kiss-off break-up song “Nothing I can Say (eh eh).” “‘Brown Eyes’ is the most vulnerable song on the album,” she explains. “‘Eh Eh’ is my simple pop song about finding someone new and breaking up with the old boyfriend.”

For the new tour for this album, fans will be treated to a more polished version of what they saw (and loved) at her critically acclaimed Lollapalooza show in August 2007 and Winter Music Conference performance in March 2008. “This new show is the couture version of my handmade downtown performance of the past few years. It’s more fine-tuned, but some of my favorite elements to my past shows – the disco balls, hot pants, sequin, and stilettos – will still be there. Just more fierce and more of a conceptual show with a vision for pop performance art.”

It’s been a while since a new pop artist has made her way in the music industry the old-fashioned/grass roots way by paying her dues with seedy club gigs and self-promotion. This is one rising pop star who hasn’t been plucked from a model casting call, born into a famous family, won a reality TV singing contest, or emerged from a teen cable TV sitcom. “I did this the way you are supposed to. I played every club in New York City and I bombed in every club and then killed it in every club and I found myself as an artist. I learned how to survive as an artist, get real, and how to fail and then figure out who I was as singer and performer. And, I worked hard.”

GaGa adds with a wink in her eye, “And, now, I’m just trying to change the world one sequin at a time.”

Black Eyed Peas, Download Free Music Mp3 Black Eyed Peas, Review of Black Eyed Peas

May 1st, 2009 by admin 3 comments »

They’ve transcended their vigilant hip-hop roots and have become a global phenomenon, the likes of which the music world has rarely seen. Ever-curious and ever-confident, that group is The Black Eyed Peas, and after energizing crowds ’round the globe with the monster-stomp of Elephunk, it’s time for the quartet – William, Fergie, apl.de.ap and Taboo to get down to business – Monkey Business, that is.

2003’s Elephunk was a breakthrough album for The Black Eyed Peas, vaulting them to a level of success unparalleled by any other hip-hop group. The accolades are quick to recite: 7.5 million albums sold worldwide, 4 Grammy nominations, 1 Grammy award, and an unforgettable performance on the 2005 broadcast. But fitted with loose rhymes, buoyant anthemic funk and an ebullient live spirit, the album also heralded a new sound for the modern age – one that is inspired by hip-hop, eschews boundaries and inhibitions, and cuts across ages, races and backgrounds. It is a sound that can be described only as One Nation Under A Black Eyed Peas Groove.

But if Elephunk was the group being crowned prince of the castle, then Monkey Business, their fourth album, is The Black Eyed Peas conquering the throne to become King. It is an album that further intensifies their passion for making music together, for connecting with their audience through the most fundamental ways: making people have a good time. It is a credo that has inspired the group since they formed in the late 1990s, earning their keep in the nurturing environment of Los Angeles’ vibrant hip-hop underground. Even then, the group possessed a magnetic spirit that helped them establish a worldwide following through their first two albums, 1998′s Behind The Front and 2000′s Bridging The Gap.

In many ways, Monkey Business is a direct descendant of its predecessor. The success of Elephunk kept the group touring around the globe for nearly 18 months. “In going on the road for so long, we got an idea of what kind of music we wanted to play and make,” explains will.i.am. “Monkey Business is very much about the types of songs we play live. It’s about a party. It’s layered differently and has energy to it that reflects how we tour – from the beats to the types of instruments we used to how we interact with the audience. It’s very much about us and the crowd on this record.”

Monkey Business was literally produced and recorded during The Black Eyed Peas everlasting road trip. “I was in Brazil doing some CD shopping,” will.i.am recalls. “I came across this compilation and I thought it was one thing but it turned out to be something else. The Dick Dale song ‘Miserlou,’ was on it. At first I was angry – this isn’t what I wanted to buy,” he laughs. “But then, really, that song is hot. I said, ‘we should do a song like this.’ I jump-started the computer and made some beats on the train. Then we had to fly to Tokyo and I tightened up the beat on the plane. Then I recorded vocals in this park in Tokyo. And that’s how we recorded the song, ‘Pump It.’”

The song, a jump-up party anthem, is one of the featured tracks on Monkey Business – and made its debut in a commercial for Best Buy electronics. “It’s the beauty of technology now – you can record anywhere, anytime, any which way. And I love that song because it feels like our live shows, it has that energy.”

Monkey Business also furthers the bond the group forged as friends during the making of Elephunk. Before recording that album, the three original members of The Black Eyed Peas – will.i.am, apl.de.ap and Taboo – had been ensnared by personal demons. “I remember that we were each talking about the things that were haunting us and seemed to be crippling us,” recalls will.i.am. Adding the vocal talents of singer, Fergie, the group used music as a therapeutic vehicle. Making music with that near-desperate fervor also is maintained on Monkey Business, says will.i.am. “You’re always challenged not to go back to those bad habits in life,” he says. “When you’re comfortable living, you sometimes think that, well, I beat it once so I can do it again. But you never really escape the things that haunt you.”

Thus, making Monkey Business became an effort put forth by all the members of the group – the first the foursome co-wrote together – and the more sophisticated songwriting; the layered grooves of the record and its fulfilled spirit reflect that. “This was really about all of us building a house together,” says will.i.am.

“Don’t Phunk With My Heart” is a gripping soulful serenade that will.i.am describes as a sequel to The Black Eyed Peas song, “Shut Up.” “Not sonically but in subject matter,” he clarifies. “When you’re on bad terms with a significant other, you don’t want to break up. You tell her things and at the time you really mean them. But she’s saying, stop f****ing with me.”

If it sounds like the personal lives of the members infiltrated their songwriting, it is mostly because it did. “Don’t Lie,” is a song will.i.am says was born of true experience of deceptively bending the truth to an ex-girlfriend. “It’s a song about owning up and apologizing and realizing your faults. It’s about being a man or a woman – an adult – and confronting situations honestly.”

Singer Justin Timberlake joins the group again for the song, “My Style.” He first sang on the song, “Where Is The Love?,” the breakout single from Elephunk. “We get along real well,” says will.i.am, “and he sees music in a very similar way. Plus, he’s just a good dude.” The song was produced by famed beat-maker Timbaland. “I like experiencing things I’ve never experienced before,” will.i.am says. “It brings you out of your comfort zone and that can be creatively inspiring. And Timbaland is an incredible talent.”

Other collaborators join The Black Eyed Peas on this album, too, like Sting on “Union.” Neo-folk singer, Jack Johnson is sampled on the song, “Gone Going.” The Peas also got to live something of a dream when they hooked up with the Godfather of Soul, James Brown, for the song, “They Don’t Want Music.”

“That was just stupid, man,” will.i.am says. “Being a fan of hip-hop and knowing that the music’s backbone is based entirely on James Brown – the concept of hitting the beat on the “one,” it’s an otherworldly experience.” The Black Eyed Peas remain one of only a handful of select groups that have been able to collaborate with Funk’s inventor. “We met in the UK, at the Mojo Awards, and we talked about working together. I remember when we recorded; I played him the beat all nervous and everything. We all sat in the room and he nodded his head and grunted in approval.”

That song is reflective of the Peas’ fluid funk that can run from generation to generation – and is one of the reasons why the group is beloved and respected worldwide. “I think the fact that we just have fun with music is the reason why it works for us,” says will.i.am. “We love music and melodies and don’t try to distinguish ourselves from regular music fans. It’s really that simple.”

Positive messages and breakdancing are integral parts of hip-hop culture, but by 1990 those elements had been temporarily eclipsed by the tough gangsta image and bleak but compelling lyrics of West Coast groups like N.W.A. However, despite sharing a zip code, Black Eyed Peas’ vision goes beyond the cracked-sidewalk vignettes and sampled gunfire of Los Angeles’ gangsta style. The socially conscious group’s earliest connections go back to high school, when will.i.am and apl.de.ap were part of Tribal Nation, a breakdancing crew. Eventually the pair focused more on music — hip-hop, specifically — and split off into their own as Atban Klann, their esoteric name an acronym for A Tribe Beyond a Nation. Eazy-E’s Ruthless Records signed the group in 1992, but many in the Ruthless camp were puzzled by the group and the enthusiasm of Eazy, who had no problem reconciling his own gangsta style with the peace-minded breakdancing of Atban. Although an album was recorded, Ruthless shelved it, unsure how to market a group whose style wasn’t dependent on violent braggadocio like N.W.A.

The death of Eazy-E in 1995 signaled the end of any further deals with Ruthless. Undaunted by the experience, will and apl recruited another dancer/MC, Taboo, and reappeared as Black Eyed Peas. BEP began playing shows around L.A., impressing hip-hop fans with their mike skills and dazzling them with their footwork as well. In 1998 their debut, Behind the Front, was released to critical acclaim — not only for the trio of MCs, but for their live band and backing vocalist Kim Hill as well. Featuring guest appearances from Jurassic 5‘s Chali 2na, De La Soul, and Macy Gray, BEP’s sophomore effort, Bridging the Gap, was released in 2000. The group’s third album, 2003′s Elephunk, featured a new member (Fergie, who replaced Kim Hill) and became their biggest hit yet, storming the Top 40 with three singles (“Where Is the Love?,” “Hey Mama,” “Let’s Get It Started”). Two years later, the quartet returned with a heavily crossover date, Monkey Business, which pushed them into the stratosphere courtesy of the hit single “My Humps.” ~ Wade Kergan, All Music Guide

Studio Albums

With Kim Hill

* 1998: Behind the Front
* 2000: Bridging the Gap

With Fergie

* 2003: Elephunk
* 2005: Monkey Business
* 2009: The E.N.D.

Compilations

* 2005: iTunes Originals
* 2006: Renegotiations: The Remixes
* 2006: iTunes Essentials

DVDs

* 2004: Behind the Bridge to Elephunk
* 2006: Bring in the Noise, Bring in the Phunk
* 2006: Live From Sydney To Vegas

Tours

* 2004: Elephunk Tour
* 2006: Honda Civic Tour
* 2006: Monkey Business World Tour
* 2007: Black Blue & You World Tour
* 2009: The Energy Never Dies Tour

Martina Mariea Schiff aka Martina McBride, Download Free Mp3 Music Martina McBride, Martina McBride Review

April 3rd, 2009 by admin No comments »

Martina Mariea Schiff (born July 29, 1966, in Medicine Lodge, Kansas) is an American country music singer and songwriter who records as Martina McBride. She is best-known for her Inspirational-styled ballads about women and children.[1] McBride has been called “Céline Dion of Country Music” on account of her big-voiced ballads and soprano range.

» Read more: Martina Mariea Schiff aka Martina McBride, Download Free Mp3 Music Martina McBride, Martina McBride Review

Stefani Joanne Angelina Germanotta aka Lady Gaga, Free Mp3 Music Download Lady Gaga, Review Lady Gaga

April 3rd, 2009 by admin 11 comments »

Stefani Joanne Angelina Germanotta[9] (born March 28, 1986),[10] best known by her stage name Lady Gaga, is an American singer-songwriter and musician. The latter part of the name is variably spelled either GaGa[11] or Gaga.[12] She was born in Yonkers, New York, and grew up in Manhattan, where she attended New York University’s Tisch School of the Arts. At age 20, she began working for Interscope Records as a songwriter, penning songs for pop acts such as the Pussycat Dolls. She has been influenced by glam rockers such as David Bowie and Queen as well as ’80s pop singers such as Madonna and Michael Jackson.
» Read more: Stefani Joanne Angelina Germanotta aka Lady Gaga, Free Mp3 Music Download Lady Gaga, Review Lady Gaga

Twilight Soundtrack, Download Free Music Mp3 Twilight soundtrack, Review of Twilight Soundtrack

April 3rd, 2009 by admin 41 comments »

The Twilight soundtrack is the official music for the 2008 film Twilight. The score was composed by Carter Burwell,[1] with the rest of the soundtrack chosen by music supervisor Alexandra Patsavas.[2] The Twilight Original Motion Picture Soundtrack album was released on November 4, 2008 by Patsavas’ Chop Shop label, in conjunction with Atlantic Records.[3] The album debuted at #1 on the Billboard 200, having sold about 165,000 copies in its first week of release, 29% of which were digital downloads.[4] Twilight: The Score was made available for digital download on November 25, 2008, and the physical CD was released in stores on December 9.

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Kelly Clarkson, Download Free Mp3 Music Kelly Clarkson, Review of Kelly Clarkson

April 3rd, 2009 by admin 3 comments »

Kelly Brianne Clarkson (born April 24, 1982) is an American pop rock singer, songwriter, and occasional actress. Clarkson made her debut under RCA Records after she won the highly-publicized first season of the television series American Idol in 2002. She was originally marketed as a pop musician with her debut album Thankful (2003). With the release of her multi-platinum second album, Breakaway (2004), Clarkson moved to a more pop rock-oriented style of music.[1] Clarkson’s third album, entitled My December, was released on June 26, 2007. According to Sony Music, Clarkson has sold over 20 million albums worldwide.[2] Clarkson has had eight of her singles become Top ten hits on the Billboard Hot 100. Her first three albums sold over 9.5 million copies in the United States.[3] In 2008, she joined VH1′s list of 10 sexiest women of the new millennium at #8. She also hit #28 on Vh1′s Top 30 Hottest Rock Front Women. As of 2008 she is one of the 10 most played artists on adult contemporary radio. Clarkson’s fourth album titled All I Ever Wanted was released on March 10, 2009, and debuted at #1 on the Billboard 200. Her latest single, “My Life Would Suck Without You”, advanced from No. 97 to No. 1 on the Hot 100 in its first week of release, breaking the record for the largest leap to the position in chart history.[4][5] She is currently the only American Idol contestant to have reached number one in the UK. She claimed number one on March 1 2009 when “My Life Would Suck Without You” debuted number one on downloads alone. Clarkson has sold over 9,963,000 albums in the United States, becoming the highest-selling Idol winner. According to Nielsen SoundScan, Clarkson is also ranked on the top 200 album sellers of the Nielsen SoundScan era at number 187. Clarkson has sold 20,120,000 albums worldwide.

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Download Pendulum Mp3 Music, Review of Pendulum

January 19th, 2009 by admin 1 comment »

I first heard Propane Nightmares by Pendulum on my favorite local radio station.  Unfortunately I forgot the name of the band and couldn’t write it down since I was driving.  As fate would have it, I was suffering from a particularly bad case of insomnia that night and found myself watching the Carson Daily show (argh).  It might have been the Jimmy Kimmel show (ugh).  Of course Pendulum was performing live on the show that evening and I immediately downloaded In Silico.  I’m always intrigued when musicians mix rock and electronic music, I’m a huge drum and bass fan, and a huge rock fan.  So for me, the two go together perfect.  Now I haven’t checked out the bands lyrics too much, but I’m going to guess there is not as much there as say The MGMT, whom I reviewed last week, but if you enjoy just kicking back and listening to some good sounding beats  than definitely check out Pendulum’s new album In Silico.  If you really dig techno, electronica, and drum and bass then I would also check out Pendulums first album Hold Your Colour which came out in 2005.  This album is almost exclusively drum and bass and the thumping bass sounds great in my cars sound system.  The album is available in stores and of course via bit torrent so head out there and purchase or download Pendulum mp3 music.

Check out Propane Nightmares and The Other Side on You Tube.

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Advertise on Mp3Crib.com – Your Mp3 Music Download and Mp3 Music Hosting Resource

January 15th, 2009 by admin No comments »

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There are probably several other terms this domain ranks high in, but according to Google Analytics, those are the top 10 search queries internet users find this site through.  If you are interested in advertising your site on mp3crib please contact me cnizzardini [at] gmail [dot] com.

Download MGMT (The Management) Mp3 Music, Review of MGMT

January 14th, 2009 by admin 1 comment »

One of my favorite new bands is MGMT.  They are a cross over of melodic rock and electronic music.  While I’m not usually one for melodic rock, I definitely dig electronic stuff when done right.   MGMT has done everything right, including the softer stuff, and I dig just about every track off their album Oracular Spectacular. Specifically you need to check out, buy, and/or download Eletric Feel (I love the disco type feel of this song), Kids (this is the one getting the most radio play), The Youth (lyrically one of the best songs on the album), Weekend Wars, Time to Pretend, and Pieces of What (another great lyrical song). The album is available in stores and of course via bit torrent so head out there and purchase or download MGMT mp3 music.

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